Anna Daniels
It’s a bit blunt to say money is the reason why Meloni left, but that’s what it is.
To be fair, NBC lived up to a surprisingly progressive standard with Law & Order: SVU by paying both Meloni and Hargitay — the duo that made the heart of the show’s interpersonal narrative — the same per episode: $400,000, according to BingeWatched. However, in mid-2011 between seasons 12 and 13, the contract for Meloni expired, so he and NBC went back to the bargaining table for a new one. All seemed to be well that summer; NBC programming executive Bob Greenblatt at that time even publicly stated his faith that a contract for Meloni would be signed soon, since production would soon begin on season 12.
It fell apart, however, and Meloni ultimately walked away — though whispers continued for a little while that things might somehow work out midway through the season. Rumors reported at the time that Meloni rejected an $8 million salary; we know that sounds like a lot, but distributed over SVU‘s usual 26-episode order per season, that comes out to just over $300,000 an episode, so that would have been a substantial pay cut. Why continue working for less money than you used to make?
A reappearance obviously never happened. And considering the fact that Law & Order: SVU brought on a whole new character that season to replace Meloni — Danny Pino as Detective Nick Amaro — and the 13th season premiered to write Stabler out with little fanfare beyond affecting Benson’s emotional state of mind throughout the season, it was probably never meant to be.
Meloni’s career has hardly suffered in the years since leaving Law & Order: SVU. He’s reprised his Wet Hot American Summer character, Gene, twice; he had a starring role on SyFy’s Happy! for two great years; and held lots of recurring-character roles on several high-profile TV shows. We’ll always miss him as Stabler, but Chris Meloni certainly hasn’t faded away entirely.
Written by: Looper
