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Black Thought and Danger Mouse Deliver Pensive Ode to MF Doom in ‘Belize’ Video 

The hip-hop duo Black Thought and Danger Mouse delivered a pensive ode to the late musician MF Doom in the music video for “Belize,” which appeared on their recently released collaborative album Cheat Codes.

Super-producer Brian “Danger Mouse” Burton filmed the video under the direction of UNCANNY, also appearing in front of the camera with The Roots’ Tariq “Black Thought” Trotter for a meditative black and white tribute. The pair ran through the entirety of “Belize” from a vacant warehouse space. The framing holds tight on the latter’s face before his collaborator arrives first as a shadow on the wall, then standing alongside him while MF Doom’s hard-hitting verse brings the song home.

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The conversational style of MF Doom’s flow is fitting for the video’s setting, creating a sense of comfort within the desolate space. “The song that is now ‘Belize’ was always unfinished, because I hadn’t been solidly working on anything with [Black Thought],” Danger Mouse told NME earlier this year. “Then as we were working on the album we realized we could finish it and it would fit this album.”

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Danger Mouse and MF Doom previously collaborated for their project Dangerdoom and 2005’s The Mouse and the Mask, which marked his last full-length foray into hip-hop until Cheat Codes. Of MF Doom’s posthumous inclusion, he added: “I had to get it right because [I thought], ‘You’re not gonna get too many more of these – if any at all.’ This will probably be the last time I have something with him on it. But I’m happy with how it turned out.”

Rolling Stone highlighted “Belize,” and particularly Black Thought’s clear declaration of “fuck a thick skin, I got me an exoskeleton,” as a standout from Cheat Codes, saying: “The tough-minded self-assessment of that lyric is not surprising, given his decades-long history of being the most underrated MC who is also easily one of the greatest of all time. Fans know Black Thought’s voice over the Roots’ full-band, comparatively organic sounds. Here, his verbal dexterity mixes with actual sample-based hip-hop, a rarity in contemporary, mainstream rap.”

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