As Taylor Swift’s “Eras Tour” makes its way to Miami for the last leg, fans are excited for a weekend filled with her greatest hits. Whether you’re a lifelong fan or just coming along for the fun, knowing what to expect from the setlist can enhance the experience.
Her tour began in Glendale, Arizona, and now, after more than 150 performances, she has been entertaining audiences with selections from all 11 of her studio albums.
Starting her final shows in Miami, concerts are happening from Friday, October 18 to Sunday, October 20. While she occasionally shakes up her playlist, fans can anticipate a similar setlist inspired by her recent concert at Wembley Stadium in London on August 20, which wrapped up the European segment of her tour.
Taylor Swift’s 2024 Tour Setlist
Beginning with songs from the “Lover” era, hits like “Miss Americana & the Heartbreak Prince,” “Cruel Summer,” “The Man,” “You Need to Calm Down,” and the title track “Lover” are featured. Then she transitions into favorites from “Fearless,” performing anthems like “Fearless,” “You Belong With Me,” and “Love Story.”
Fans can also enjoy popular tracks from “Red,” including catchy songs like “22” and “We Are Never Ever Getting Back Together,” along with the emotional 10-minute rendition of “All Too Well.” The “Speak Now” section may be brief, but she occasionally surprises fans with “Enchanted.”
In the “Reputation” segment, expect high-energy performances of “…Ready for It?” and “Look What You Made Me Do.” Then, the mood shifts to a softer tone with songs from “Folklore” and “Evermore,” including “Cardigan,” “August,” and “Willow.”
From her “1989” album, anticipate fan favorites like “Style,” “Blank Space,” and “Shake It Off.” Newer songs from her latest album, The Tortured Poets Department, will also make an appearance, featuring tracks like “But Daddy I Love Him,” “So High School,” and “Fortnight,” with “Florida!!!” being a surprise addition during her final London performance.
Each show is distinct, featuring two surprise songs—one performed on guitar and the other on piano—ensuring that no two concerts are alike.