Anna Daniels
It’s More Than Just Posters. It’s Pixar’s Bold Move.
Disney has just revealed six striking new posters for Elio—and devoted Pixar enthusiasts are in a frenzy. Not because they’re subpar, but because they’re extraordinarily impressive. It’s almost startlingly imaginative, especially in a year when the major animation buzz centers around Shrek 5 and the latest Minions mash-up.
These posters serve a purpose beyond mere artistry—they’re a declaration. Featuring Elio bathed in celestial light among bureaucratic aliens that seem plucked from a Wes Anderson meets Rick & Morty alternate reality. One poster showcases Glordon—Elio’s alien companion—floating like a surreal oracle. If you’re questioning whether Pixar has gone off the rails, you’re not the only one.
Why This Might Alter Everything (Or Nothing)
Let’s clarify the context: Elio stands alone as the only major animated feature this summer that is not derived from pre-existing intellectual property. That’s correct—not a sequel, remake, reboot, or a product of algorithmic design. In 2025, this makes it akin to showing up at Coachella in a flowing robe, reading Sagan under disco lights.
These posters emphasize that uniqueness. They take risks. One even features an 11-year-old boy—Earth’s interstellar representative—as if to boldly state: “Yeah, this is the kid. Hold him accountable if things go south.”
The premise? Elio is kidnapped by aliens who mistake him for Earth’s ruler. Imagine Home Alone set in space—except Kevin navigates intergalactic diplomacy instead of rigging booby traps.
The tonal blend? A mash-up of The Iron Giant, Galaxy Quest, and Inside Out—if Joy happened to sport three eyes and a galactic visa.
Unveiling the Story
This isn’t just Pixar being eccentric. It’s Pixar protecting its reputation. Let’s take a step back: Coco touched hearts, Turning Red ignited discussions, and now Elio is launched into a marketplace that treats original concepts like they’re radioactive.
Here’s the twist: Elio is helmed by Madeline Sharafian, Domee Shi, and Adrian Molina—the creative force behind Bao, Turning Red, and Coco. In other words, the big hitters. These aren’t just “Pixar veterans”; they’re the ones adept at weaving emotional depth within whimsical, chaotic realms.
A Pixar insider reportedly quipped, “We aimed to create merchandise-proof posters. Apologies to Target.”
What’s Next?
Unique storyline. Bold concept. Poster visuals that seem like they’re from another realm.
Masterpiece or disaster? The choice is yours.
Would you prefer to catch this or marathon Cars 8: Lightning Does LinkedIn? No judgement here. (…Well, just a tiny bit.)
