First Glimpse of Luc Besson’s ‘June & John’: Trailer Unveiled

During the global pandemic, renowned filmmaker Luc Besson turned to his phone and two emerging actors to craft June & John, an adventurous romantic thriller that celebrates the spirit of creativity amidst challenging times. The recently released trailer has stirred excitement—could it redefine love stories for a new generation?

A Dynamic Tale of Love and Adventure
June & John follows John (Luke Stanton Eddy), a man trapped in his routine until he encounters June (Matilda Price), a captivating and bold character. Their chemistry ignites instantly, leading them on a thrilling and risky journey. Expect a blend of intense action and emotional depth, distinctly presented in Besson’s unique style.

The film’s unique aspect lies in its creation—completely filmed on a smartphone during the 2020 lockdown, June & John showcases what can be accomplished even in tough circumstances. Known for his visually striking works like The Fifth Element and Léon: The Professional, Besson embraces a more personal approach, using a tool as simple as a smartphone to develop a raw and intimate visual narrative.

The trailer showcases influences from films such as True Romance and Bonnie & Clyde, infused with a hint of the quirky vibe from Pulp Fiction. But rather than following old conventions, Besson is innovating them for a contemporary audience. The palpable chemistry between Price and Eddy, coupled with the film’s grassroots feel, resonates with authenticity.

Final Thoughts: An Innovative Filmmaking Approach
June & John is more than just a film; it symbolizes hope and creativity in difficult times. Amidst uncertainty, Besson managed to create something meaningful, blending romance with thrilling action. This film serves as a reminder that art can flourish, even in challenging environments.

My Takeaway
Initially, I was doubtful about the “shot on a phone” concept. However, the trailer changed my mind with its unprocessed and genuine visuals—an invigorating change from today’s overly polished films. The youthful exuberance from Matilda Price and Luke Stanton Eddy is captivating, and Besson’s talent shines through despite the limitations. My only disappointment? The absence of a release date—2025 seems so far away. Nonetheless, June & John has the potential to cultivate a dedicated following.

What are your thoughts on filmmakers using non-traditional methods such as shooting on a phone? Is this a glimpse into the future of independent cinema or merely a passing trend?