Anna Daniels
An everyday routine of Xavier (Atibon Nazaire) interacting with his neighbor in his Miami neighborhood encapsulates the sense of belonging and familiarity in Monica Sorelle’s debut film “Mountains.” Xavier, a hardworking man facing the dilemma of demolishing properties in his community for luxury homes, contemplates a fresh start as he feels the encroachment of gentrification. The film subtly portrays the contrast between the established community and the newcomers targeted for the upscale houses.
Xavier’s wife, Esperance (played by Sheila Anozier), engages with the neighborhood while grappling with the immigrant experience and the longing for their homeland. The film captures the immigrant narrative with Xavier’s connection to news from Haiti and his stoic resilience. “Mountains” joins a wave of films depicting ethnic enclaves in America, emphasizing the struggle to preserve identity amidst pressures to assimilate.
The film delves into the generational divide within the family as Junior (Chris Renois), their son, pursues comedy against his father’s expectations. Through nuanced scenes, “Mountains” explores themes of ambition, racism, and the impact of gentrification on immigrant communities. The narrative highlights the subtle yet pervasive effects of displacement and the erasure of cultural heritage.
As the specter of gentrification looms, Xavier and Esperance confront the reality of being displaced by corporate interests. The film portrays the insidious nature of gentrification, where new residents displace the existing community, erasing their history and sense of belonging. Xavier’s resistance symbolizes the fight against exploitation and the preservation of cultural roots amid upheaval. “Mountains” poignantly captures the emotional turmoil and resilience of a community facing the threat of displacement.
