Tim Dillon, recognized for his performance as an Arkham Asylum guard in *Joker: Folie à Deux*, made waves with his harsh review of the film on *The Joe Rogan Experience* podcast. Dillon described the movie as the “worst film ever made,” pointing out its many shortcomings.
The sequel to the acclaimed 2019 movie *Joker* did not meet expectations. Directed by Todd Phillips and featuring Joaquin Phoenix and Lady Gaga, *Joker: Folie à Deux* struggled both financially and critically. It earned just under $38 million domestically during its opening weekend, a stark contrast to the original film’s success. While its global earnings reached nearly $205 million, it was still labeled a box office failure.
Dillon mentioned that during filming, the cast recognized the script’s shortcomings. He stated that the film lacked a solid storyline and that he and his fellow actors frequently doubted its direction. Furthermore, Dillon expressed that the film was received so poorly it was not even worthy of “hate watching.”
The response to *Joker: Folie à Deux* was overwhelmingly negative, earning a D CinemaScore from viewers and only a 32% rating on Rotten Tomatoes, compared to the original’s 68%. Critics and audiences alike slammed the film for its incoherence and excessive musical elements.
In spite of the adverse feedback, Warner Bros. opted to nominate Joaquin Phoenix and Lady Gaga for Golden Globes in the musical or comedy categories. This move has ignited further discussion on the film’s classification and its appropriateness within these genres.
Dillon’s remarks have intensified the controversy surrounding *Joker: Folie à Deux*. His frank evaluation brings attention to the film’s numerous problems and highlights the difficulties associated with delivering a successful sequel. Only time will tell if the film will serve as a lesson or fade into obscurity.
In my view, Tim Dillon’s critique of *Joker: Folie à Deux* is accurate. The film’s disjointed plot and heavy reliance on musical segments made it hard to connect with. Although Joaquin Phoenix and Lady Gaga showcased strong performances, they couldn’t compensate for the film’s core issues. The choice to put the film forward for Golden Globe nominations in the musical/comedy sections appears to be a bid for validation, yet it may not be sufficient to win back critics or audiences.