Jason Momoa Unleashes Urgent Chief of War Trailer

Jason Momoa Takes a Stand Against Hollywood’s Untold Stories—And Indigenous Voices Are ROARING

This is more than entertainment. It’s a profound statement adorned in passion and heritage.

Apple TV+ recently unveiled the teaser for Chief of War, a project close to Jason Momoa’s heart that showcases a gritty, oceanic narrative. It’s already causing a stir among festival goers. Why the buzz? Because for once, the narrative isn’t dictated by colonial powers. The trailer plunges into the colonization and consolidation of Hawai‘i during the late 1700s—but told from the perspective of Indigenous people. No glorified tales. No whitewashed history. This is visceral. This is authentic. And yes, it hits hard.

Momoa’s involvement isn’t limited to acting—he also co-created, served as executive producer, and directed the series finale. In other words, this is the largest Indigenous-led narrative of this magnitude we’ve seen to date.

Why This Could Alter Everything (Or Not)
Here’s the surprising twist: Hans Zimmer composed the music. Yes, that Hans Zimmer—the composer renowned for reviving pirates and giving Batman an emotional depth. And there’s more. Zimmer teamed up with James Everingham to produce the scores for all nine episodes, infusing Polynesian sounds into Zimmer’s cinematic prowess. The result? Picture Braveheart, but with conch shells in place of bagpipes and the ocean air around you.

The cast features a mix of Polynesian talent: Temuera Morrison (known from The Mandalorian), Cliff Curtis (Sunshine, Avatar), and rising star Kaina Makua. It feels akin to an MCU lineup, but grounded in authenticity.

However, this isn’t a refined version of Disney’s Moana. The trailer resonates with rebellion. Resilience. Legacy battles. And finally, Hollywood is opting to elevate the culture instead of diminishing it for profits. The creative control is shifting.

The question remains—will mainstream viewers embrace it? Or will it face the same fate as Reservation Dogs, garnering critical acclaim but minimal exposure?

The Untold Narrative of Conflict
Let’s reflect. Hollywood has a troubling tendency: Present a colonization narrative, but cast a white protagonist to lead the way. Think The Last Samurai. Dances With Wolves. Even Avatar, sadly.

Yet, Chief of War reverses this trend—literally. Momoa and co-creator Thomas Pa’a Sibbett are of Native Hawaiian heritage, as is much of the cast. Plus, behind the scenes, Justin Chon (Blue Bayou) directs the first two episodes, promising a story that resonates with sincere cultural depth rather than a promotional tour.

This represents a full-circle achievement: A Polynesian cast sharing a Polynesian narrative on a worldwide platform. This is not merely television—it’s a rectification of history. As one insightful scholar stated, “Representation is not a privilege—it’s a form of resistance.”

Choose Your Stance
So, is Chief of War the anti-colonial saga we’ve long awaited, or merely another upscale historical drama primed for accolades?

Would you opt to view this or let Netflix continue to auto-play Emily in Paris? No judgment here. (Well, maybe a little judgment.)