“Unveiling ‘The Monkey’: A Trailer That Captivates”

Osgood Perkins is making a distinct name for himself in the horror genre, stepping out of the shadow of his father, Anthony Perkins, known for his iconic role as Norman Bates. With his upcoming film “The Monkey,” Perkins is showcasing his unique flair for horror, as suggested by the recently released trailer.

Following the success of “Longlegs,” which earned $75 million at the box office, Perkins is capitalizing on his momentum with “The Monkey,” an R-rated film adapted from a Stephen King short story. The trailer hints at a thrilling blend of chaos and excitement reminiscent of classic horror, featuring fiery faces, deadly bowling balls, and enough bloodshed to leave a mark.

One notable difference between Perkins’ prior work and “The Monkey” is the tonal shift. While “Longlegs” explored themes of dread, this new project leans into horror-comedy, drawing inspiration from films like “An American Werewolf in London” and “Fright Night.” This suggests Perkins is eager to explore new creative territories rather than being pigeonholed as a solely serious horror filmmaker.

The ensemble cast, featuring talents like Theo James, Tatiana Maslany, and Elijah Wood, speaks to the film’s ambitious nature. Wood’s involvement, known for his work in genre-defying projects, suggests a light-hearted touch in “The Monkey,” complemented by the addition of fresh faces Christian Convery and Colin O’Brien.

Neon’s investment in both Perkins and the film itself is evident, with “The Monkey” poised to make waves alongside another project titled “Keeper.” This backing could elevate Perkins from an “interesting voice” to a recognized auteur in the industry.

Personal Thoughts: Perkins’ transition from the unforgettable atmosphere of “The Blackcoat’s Daughter” to a more playful storytelling style is captivating. While the level of gore and dark humor might seem like a shift, it actually represents a broadening of his artistic range. Early feedback indicates he still captures his unsettling touch, proving he can maintain his distinct style while evolving.

What are your thoughts on horror directors blending elements of dread and dark comedy? Do you think Osgood Perkins faces undue expectations due to his father’s legacy?